My brain is still trying to re-acclimatize after tumbling through Laroquod’s webcomic Hypothesis. Hypothesis is the brain child of Paul Laroquod, a “time walker, lost in the here and now” (according to himself) from Toronto who dabbles in photography and, of course, comics.
…follow the story of my experiments in your world, conducted with graphic and cinematic techniques you’ll recognise at first, and then increasingly with tools
UNLIKE ANY YOU’VE SEEN BEFORE
Hypothesis is divided into three episodes. In the first episode, the time traveler awakes on earth in a time distinct from his own. During this episode, the traveler tries to make sense of why he’d make a note to himself which says “Shoot Everything”. In the second episode, the time traveler explores the uses of the “desktop TV” and tries to get something to eat, preferably something with gravy. The third episode deals mostly with the time traveler’s attempt to understand a scrambled news feed and to triangulate a non-dimensional “New Resonance”.
I still quite haven’t figured Hypothesis out yet. It seems the traveler has had a similar experience; in the third episode, he asks Doug aka. the Oracle:
No answering of plot-related questions, like – why am I here? Why do I have skills I’ve never learned?
WHAT WAS UP WITH THE LITTLE DUDE?
Et cetera?
I don’t lament the fact that I don’t completely understand Hypothesis because I think it’s one of its most seducing qualities. I see the story as a homage to near future science fiction, it’s almost Burroughsian in its style. And those of you who follow this blog know I dig surreal stories where the reader is kept in hesitation. If I was able to “understand” the story, I think it would have been too simple for my taste.
Perhaps one of the most astounding aspects of Hypothesis is the graphic side which is an eclectic mix of edited (for lack of a better non-proprietary word) photography, screen dumps and illustration. Laroquod has also made some experimentation with regard to the layout of text-boxes, supplying them with their own distinct graphical expressions, a feature, he’s revealed, partially inspired by Frank Miller.
Hypothesis is in the Public Domain, making it possible for anyone to use it as they see fit: remixing, sharing, copying, capitalizing, tattooing. However, attribution is still the least you could do if you want to do any of the above things with/to “Hypothesis”.

3 Comments, Comment or Ping
Tim, thanks so much for reading and I’m so happy that you enjoyed it!
I think we are definitely on the same wavelength regarding the potential sweetness of withheld narrative answers - it allows ambiguity to breathe as long as possible. Have you seen Exotica? It’s on my shelf and particularly tasty in this regard; I would have to call it an influence.
Since you obviously have excellent taste, I’ll be following…
Paul.
June 12th, 2009
By the way I’d like to mention Doug Groves who did such a great job on the art for the ‘Oracle’ pages 26 and 27 (that crazy blue jellyfish background on p25 is his, too!) and who also drew the special cover for the Collector’s Edition of Hypothesis #1. Conveniently, since he happens to resemble the genuine Oracle so closely (the story of this resemblance is yet to be told), Doug *Groves* also served as the photographic model for Doug the *Oracle*. Here’s his Twitter…
http://twitter.com/dougplanet
June 12th, 2009
I’ll check it out, thanks!
July 12th, 2009
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